WHAT'S NEW, PUSSYCAT?

This theater marquee that has seen better days represents the last gasps of what started in 1940 as the Monica Theater at 7734 Santa Monica Blvd in West Hollywood (before it became West Hollywood, of course). A neighborhood theater showing 2nd run major motion pictures, it was briefly an arthouse, showing foreign films before, in 1968, it changed its name to the Left Bank Theater and went into the nudies game.

In 1970 it became the flagship theater of the adult film Pussycat Theater chain and remained so until the '90s when it became a gay adult theater and changed its name (appropriately enough) to the Tom Kat. 2006 saw Mr. Tom Kat make way for STUDS, and after that, it just seemed a slow but inexorable slide to obsolescence. The above photo, post-COVID, reflects the theater's 2022 fate.

Whatever lies in store for the empty space now, I hope someone holds on to the "celebrity" footprints of the deceased legends of the "porno chic" '70s that grace the front courtyard. 

John Holmes / nee John Curtis Estes (1944 -1988)

Linda Lovelace / nee Linda Susan Boreman (1949 - 2002)

Harry Reems / nee Herbert John Streicher ( 1947 - 2013)

Marilyn Chambers / nee Marilyn Ann Taylor (1952 - 2009)

STEP BACK IN TIME

A FEW OF MY FAVORITE FOOTPRINTS IN THE FORECOURT OF
GRAUMAN'S CHINESE THEATER IN HOLLYWOOD

ELEANOR POWELL

Tap dancing great Eleanor Powell placed her hand and footprints in cement as well as copper casts of her tap shoes when she was honored on December 23, 1937. The occasion was the premiere of the musical "Rosalie" in which she co-starred with Nelson Eddy 

JEAN HARLOW

Blonde Bombshell Jean Harlow actually had the honor of placing her footprints in cement twice. The first time was on Monday, September 25, 1933 during an evening ceremony in honor of the premiere of her film "Dinner at Eight." For the first time (and probably the last) the footprint ceremony was held on the Grauman Theater stage due to traffic complaints related to the usual outdoor affair. However, in transporting the 500-pound block of cement to the forecourt, it broke in half. Harlow was invited back to repeat the whole thing on Friday, Sept. 29th for a noon ceremony held in the forecourt... with the cement block already safely in place.  

CARMEN MIRANDA

Portuguese-born, Brazilian entertainer  Carmen Miranda had just completed her first American film ("Down Argentine Way") when invited to place her hands, signature, and platform wedgie prints in cement. The ceremony was held March 24, 1941, making Miranda the first Latin-American performer to be honored in the forecourt. Sadly, her block of cement looks to have weathered a great deal of wear and tear.

JOAN CRAWFORD

Then known as "America's Dancing Daughter," future megastar Joan Crawford's footprint ceremony took place on a Saturday evening at 11:15pm prior to a midnight screening. When Joan left her prints and autograph in the cement on September 14th, 1929, she was appearing onscreen in "The Hollywood Revue of 1929."  

JUDY GARLAND

The premiere of the MGM musical "Babes in Arms " (co-starring Mickey Rooney) was the occasion for Judy Garland to put her prints in cement outside Grauman's. The event was held Tuesday evening, October 10, 1939, and patrons wishing to be the first to see Judy in her follow-up film to "The Wizard of Oz" had to pay a hefty $2.20. With Mickey Rooney at her side (he'd put his footprints in wet cement the year before with the premiere of his film "Stablemates") Judy Garland was the 74th star to be honored by Grauman.

Ken Anderson©